Category: Project Updates

Project Updates

PROJECT UPDATE: K-pop Producer Yoo Young Jin

Crystal S. Anderson

The new exhibit on KPOPCULTURE, Yoo Young Jin, provides an overview of one of K-pop’s most influential music producers. Not only has Yoo worked on some of the most recognizable and enduring K-pop songs, he has also produced his own material. The exhibit provides an overview of his most popular work as well as a Curated Playlist that delves into other tracks with the groups with whom he works the most, including SHINee, TVXQ, Super Junior and Shinhwa (when they were on the SM Entertainment label).

This exhibit is part of the KPOPCULTURE digital humanities project, which curates modern Korean popular music (K-pop) and the culture that surrounds it through digital exhibitions of music, choreography, fandom and industry.

Project Updates

PROJECT UPDATE: New Asian Drama Digital Humanities Project

Crystal S. Anderson


OMO!: Korean and Chinese Drama and Commentary is my newest digital humanities project, which curates information on dramas and the global response to them in the form of reviews. It represents not only resource creation but also an examination of how global audiences make meaning of this transnational popular culture.

The project also includes the work of undergraduate researchers, providing the valuable experience of working on a research project. The first exhibit, City Hunter (2011), includes an analysis of the promotional poster as well as an overview as well as short-form and longer reviews compiled by De’siree Fairley, undergraduate research assistant. Users can view complete reviews in Evernote. As the project includes more dramas, we hope that we can determine a pattern in the consumption of dramas by global audiences.

Project Updates

New Survey! Not the Only One: Multi-Fandoms and K-pop

Crystal S. Anderson

Can’t decide which K-pop group or artist is your favorite? You are not alone! Global fans of K-pop tend to support several groups and artists at the same time, while their Korean counterparts tend to support only one group or artist. But why? And which groups tend to be in a global fan’s multi-fandom? This study seeks to answer these questions in survey that uses open-ended and multiple-choice questions. Take the survey and tell your friends!

Link: https://www.surveymonkey.com/r/kpopmultifandom

Project Updates

A Not So New K-pop Survey: Last Fans Standing: Veteran Fans of K-pop

Crystal S. Anderson

One of the things that happens when conducting qualitative surveys is that they can raise more questions than they answer. This is what happened with the preliminary data from Last Fans Standing: Longtime and Adult Fans of Korean Popular Music (K-pop). Response rates were unusually low, which was unusual given the rising number of fans who have been fans for more than five years. I speculated that respondents may think that only adult fans who had also been fans for five years or more could take the survey. So, I revised the survey to focus solely on veteran fans of K-pop, individuals who had been fans for five years or more. The revised survey can be found here: https://www.surveymonkey.com/r/vetfans !

Project Updates

Last Fans Standing: Longtime and Adult Fans of Korean Popular Music (K-pop)

Crystal S. Anderson

watches

This survey has been revised! Click here for new survey!!!

Most people assume that the only audience for modern Korean popular music (K-pop) is teenagers. As a result, they also assume that K-pop music lacks longevity.  However, the presence of longtime fans suggests that K-pop remains appealing to some fans for years. The existence of adult fans challenges the notion that K-pop only appeals to teenagers. Both groups represent understudied demographics in studies of K-pop fandom.  This project uses multiple case study and oral history to understand K-pop’s lasting appeal.

Multiple Case Study

This multiple case study seeks to understand why individuals remain K-pop fans for years and why adults find K-pop appealing. For three years, I will be asking questions about these atypical fans of K-pop. This survey contains several open-ended and multiple-choice questions that ask how fans see themselves and ask about their K-pop music preferences and fan activity.

 

Project Updates

K-pop Essentials: Shinhwa

Crystal S. Anderson
Source:
Shinhwa

The ‘Essentials” series is part of my digital humanities project, KPopCulture, which curates the music, visual culture, choreography, promotions, media and fan culture of K-pop that support this global cultural production. “Essentials” items tell you about a group through playlists of key music videos, performances, choreography and promotional videos. It also offers a bibliography of articles, music reviews and videos. The first ‘Essentials’ item is, fittingly, on Shinhwa, the longest-running K-pop group with its original members. Click here and enjoy!

Project Updates

“Playing the Race and Sexuality Cards in the Transnational Pop Game: Korean Music Videos for the US Market,” Eun-Young Jung

Crystal S. Anderson

 

JournalofPopularMusic

Eun-Young Jung examines how the visuals of Korean music videos by BoA, Wonder Girls and Rain play on “racialized notions of sexuality” and “sexualized notions of racial identity.”  . . . . Read more at Public Circulation!