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Sonic Historiography and Cover Songs: Ramsey Lewis/Minnie Riperton and Stevie Wonder/The Brand New Heavies

Cover songs are a great way to rediscover the trajectory of sound. There is a collection of music scholars who direct their attention to how regular listeners interact with music. In “the Future is Now. . . and Then: Sonic Historiography in Post 1960s Rock,” Kevin Holm-Hudson draws together several similar strands of thought regarding…

BOOK TALK: Soul in Seoul: African American Music and K-pop @ CSU-Dominguez Hills

Looking for something exciting to do during the pandemic? Check out this book talk at 1:00 – 2:30 (PST) on April 30, (sponsored by the Department of Interdisciplinary Studies and Africana Studies at California State University, Dominguez Hills). Register here.

K-pop as Popular Music

K-pop is a form of popular music whose significance goes beyond its financial success. In January 2021, Esquire published Emma Carey‘s article, “The Best Pop Bands of All Time Prove the Universal Power of Music,” which acknowledged the slippery nature of the label of “pop,” but also declared: “In simple terms, pop music is literally….

Modeling Black Womanhood in K-pop

Given the influence of black popular culture on K-pop, it is not surprising that female K-pop artists also draw on images of black womanhood, especially those associated with hip-hop. While some scholars focus on prominent, sexualized images of black women as the defining model, other scholars point to the more complicated nature of representations of…

Writing about K-pop: Choose Your Disciplinary Adventure

In my previous article, I talked about how taking a historian’s approach to K-pop considers the past in making sense of the present. In this article, I’ll discuss how this informs my approach to K-pop in my book Soul in Seoul: African American Popular Music and K-pop. In making sense of K-pop, I choose several…

Writing About K-pop: History and Context

One of the first things I wanted to do with my book, Soul in Seoul: African American Popular Music and K-pop, is to recognize K-pop’s history and development. Placing K-pop within a historical context is crucial to the way we ultimately understand it. K-pop is often seen in present-day terms. It is described and treated…

Teaching K-pop, Part 3: Content, or Look Ma! No Books!

In Part 2, I talked about how to help students develop knowledge and skills (assignments) and how to evaluate what they know and are able to do (assessments). Finally, in Part 3, we get to what many of us consider to be the fun part: deciding what material to cover and activities to do in…

Teaching K-pop, Part 2: Assignments and Assessments (ew!)

In Part 1, I considered student learning outcomes, the foundation of good course design, and how they relate to my learning goals in teaching Korean popular culture. In Part 2, I cover how I determine to how to evaluate what students know or can do by the end of the course (assessments) as well as…

Teaching K-pop, Part 1: The Most Important Thing

Before deciding on all the cool content to include in my course, KORE 320: Korean Popular Culture, there is one thing that I had to do, something that forms the foundation of the course. Figuring out this one thing made designing the course easier and will make for more effective learning for students. It was…

Engaging Engagement in Online Courses

In discussions about remote learning and future online teaching that many educators may face in the fall, concerns about engagement dominate. They often include the unchallenged claim that online instruction cannot replicate the engagement found in face-to-face teaching. But is that true? Many erroneously equate the emergency online teaching that most institutions relied on this…

Mission Impossible: Curating the History of K-pop

Some of us are using this unprecedented time to work on projects that have gotten away from us. My latest project, KPOPCULTURE, a never ending quest to create a history of K-pop, is one such project! From KPOPIANA to the Kpop Collaboration Project, I have been working on projects that seek to document and describe…

Who’s Better, Who’s Best: Competition and Manipulation in K-pop (from KPK: Kpop Kollective)

Labor from Below: What Neoliberal Capitalism Overlooks in K-pop (from KPK: Kpop Kollective)

If Not Now, When?: Students and Difficult Reading

The Role of Implementation in High Impact Practices

Not Just Pretty Faces: K-pop Idols and Quiet Storm Masculinity

Digital Humanities for the Rest of Us