Many institutions, including my own, include creative activity from art, music, theatre and other disciplines as part of undergraduate student research. Given the creative nature and output of these disciplines, what can this look like?
Author: Crystal S. Anderson
Research Challenges Perception That K-pop Is Defined By Single Fandom
The K-pop fandom landscape has changed in the past few years. Data suggests that the general K-pop “idol” fandom is more divided than it was less than 10 years ago and challenges some widely held notions about the preferences of global K-pop fans. Read more at KPK: Kpop Kollective…..
PROJECT UPDATE: New Asian Drama Digital Humanities Project
OMO!: Korean and Chinese Drama and Commentary is my newest digital humanities project, which curates information on dramas and the global response to them in the form of reviews. It represents not only resource creation but also an examination of how global audiences make meaning of this transnational popular culture. The project also includes the…
The Role of Implementation in High Impact Practices
The mere existence of high impact practices does not produce results. Much depends on the way such practices are implemented. High impact practices are a set of experiences that have been shown to improve student learning. Recently, Inside Higher Education reported on research published in The Journal of Higher Education that suggests that such practices do not…
Panelist, “Black American Music and K-pop,” KCON 2017 LA
I’ll be a panelist at KCON 2017 LA! Panel 502B, “Black American Music and K-pop”, will be on Sunday, August 20, 2:30 p.m. – 3:30 p.m. Hope to see you there! In the meantime, check out some of my work on Black American Music and K-pop. Not Just Pretty Faces: K-pop Idols and Quiet Storm Masculinity…
What Type of Fan Are You?: Fan Hierarchy vs. Fan Continuum
Fan identity is at the heart of fandom studies, and one of the most contested issues revolves around differentiating types of fans based on their knowledge, behavior or both. Fan hierarchy and fan continuum are two concepts that attempt to answer this question, with different implications. In Understanding Fandom, Mark Duffett defines a fan as “a…
New Survey! Not the Only One: Multi-Fandoms and K-pop
Can’t decide which K-pop group or artist is your favorite? You are not alone! Global fans of K-pop tend to support several groups and artists at the same time, while their Korean counterparts tend to support only one group or artist. But why? And which groups tend to be in a global fan’s multi-fandom? This study…
A Not So New K-pop Survey: Last Fans Standing: Veteran Fans of K-pop
One of the things that happens when conducting qualitative surveys is that they can raise more questions than they answer. This is what happened with the preliminary data from Last Fans Standing: Longtime and Adult Fans of Korean Popular Music (K-pop). Response rates were unusually low, which was unusual given the rising number of fans who…
UP10TION Dance Collection-REVISED!
Newer male K-pop groups are increasing the complexity of their choreography. UP10TION, who debuted in 2015, features 10 members. This large group is gaining popularity for their execution of complex dance moves with precision. Find out more with the Revised UP10TION Dance Collection exhibit!
Last Fans Standing: Longtime and Adult Fans of Korean Popular Music (K-pop)
This survey has been revised! Click here for new survey!!! Most people assume that the only audience for modern Korean popular music (K-pop) is teenagers. As a result, they also assume that K-pop music lacks longevity. However, the presence of longtime fans suggests that K-pop remains appealing to some fans for years. The existence of…
Reading the ‘Korean Wave’ as a Sign of Global Shift
Cho Hae-Joang examines managine and newspaper articles using discourse analysis to reveal three distinct perspectives in relation to the Korean wave. . . . Read more at Public Circulation!
Not Just Pretty Faces: K-pop Idols and Quiet Storm Masculinity
2PM, a six-member male group from JYP Entertainment, may be the model for K-pop’s beast-like masculinity, which primarily depends on appearance, but they also participate in the black male soul tradition, which uses vocal ability to inform a different kind of masculinity.
