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The new exhibit on KPOPCULTURE, “Red Velvet: Queendom,” details the group’s musical production featuring their dual concept since debut in 2014. The exhibit provides basic information about the group and its music as well as a curated playlist derived from fan data.
This exhibit is a part of the KPOPCULTURE digital humanities project, which curates global Korean popular music (K-pop), creative personnel and performance.
The new exhibit on KPOPCULTURE, “Twice: Girls Like Us” shares the group’s impressive run of promotional tracks since debut in 2015. These tracks resonate with fans more so than deep cuts from releases. The exhibit provides basic information about the group and its music as well as a curated playist derived from fan data.
This exhibit is a part of the KPOPCULTURE digital humanities project, which curates global Korean popular music (K-pop), creative personnel and performance.
The new digital exhibit, ATEEZ : Pirate Kings, marks the return of the KPOPCULTURE project. Even though ATEEZ is a rookie group debuting just in 2018, the group has been quite prolific, and fans have been diligent in listening to their music, as evidenced by the healthy combination of promotional as well as deep cuts on playlists. The exhibit provides basic information about the group and its music as well as a curated playlist.
This exhibit is part of the KPOPCULTURE digital humanities project, which curates global Korean popular music (K-pop), creative personnel and performance.
csaphd | Crystal S. Anderson 