Crystal S. Anderson | Director of the Office of Student Research | Research Scholar of Cultural Studies
We Are One! EXO::EXO-L is the first fandom profile for my iFans project. Like the profiles to follow, it provides information on K-pop groups and their fandoms, including curated cover songs, cover dances and fan projects by fans. Click here to check it out!
The ‘Essentials” series is part of my digital humanities project, KPopCulture, which curates the music, visual culture, choreography, promotions, media and fan culture of K-pop that support this global cultural production. “Essentials” items tell you about a group through playlists of key music videos, performances, choreography and promotional videos. It also offers a bibliography of articles, music reviews and videos. The first ‘Essentials’ item is, fittingly, on Shinhwa, the longest-running K-pop group with its original members. Click here and enjoy!
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Sun Jung and Yukie Hirata use the experience of the female K-pop group Girls’ Generation (SNSD) in Japan as a case study to examine how K-pop represents a different kind of transcultural flows and consumption. . . Read more at Public Circulation!
Eun-Young Jung examines how the visuals of Korean music videos by BoA, Wonder Girls and Rain play on “racialized notions of sexuality” and “sexualized notions of racial identity.” . . . . Read more at Public Circulation!
Ingyu Oh challenges approaches to Korean popular music based on cultural hybridity by arguing that the globalization of K-pop involves modifying musical content from Europe and other locations into Korean content and redistributing it to global audiences. In doing to, it occupies a void between Western and East Asian music industries. . . . read more at Public Circulation!
David Brackett examines the porous nature of genres in music. Instead of being fixed, the boundaries between music genres are not defined and are subject to transition over time. . . . Read more at Public Circulation!
Jon Fitzgerald argues for a more significant place of the Motown sound within popular music history by focusing on its innovative creative process. . . . Read more at Public Circulation!
Shin Hyunjoon explores the relationship between globalization and regionalization in K-pop, focusing on the Korean music industry and star management and reactions from media and fans. . . . Read more at Public Circulation!
David Goldblatt argues that vocal rhythm and blues, or doo-wop, is impacted by race, class and location. Characterized by its nonsense syllables in a cappella songs, doo-wop is defined by its origins as public singing in urban neighborhoods. . . . Read more at Public Circulation!
